In spite of persistent claims that both nightlife and hip hop have been ruined by a lack of creativity, there are still artists and operators in the underground pushing nightlife culture to the next level. Two performers who are making a name for themselves in the world of live hip hop are the brothers DeLorean and Karl. We sat down with them to talk about their music before their next big show at the Knitting Factory this week.
• Genre: Hip Hop/Jazz/Electro-Soul
• Hometown: Brooklyn, NY
• Inspirations: A Tribe Called Quest, Kanye West, Digable Planets, Maroon 5, Jay-Z, Lupe Fiasco, Biggie, Tupac,
• Previous Performances: Ko-Lition TakeOver Santos Party House!
• Latest Project: Debut album 'Love Jazz Robotz'
• Next Local Performance: May 24th, 2012 'Ko-Lition TakeOver The Knitting Factory'
NCI: Talk to me about the philosophy behind your music and how it compares to the current generation of music?
KO: Part of the idea behind the concept of robots is the assembly line model that we all have to subscribe to in our daily life. We go to work every day, we load up our spreadsheets and contribute to the process of making things work. It is an existence that can feel very mechanical, very robotic.
Even when you talk about creating music and being in the music industry, there are methods you need to adopt and things you need to do if you want your music heard. There are elements of it that are very much like a machine. If you don’t conform to that model then getting your music heard is almost impossible. Of course, there are artists like Prince or Radiohead who can challenge prevailing industry models after they have been established. But nowadays even mainstream artists like Drake have to give their music away for free at some point to get their music out there. Part of Must Be Robotz is an exploration of that reality.
NCI: So the song is basically a critique on the forces of conformity in music and life in general?
KO: We don’t dislike current forms of music. Our music is hip hop with a jazz foundation, but we can get into the more electronic forms of rap. We even get down with dubstep and other types of electronic music. There is a lot of good stuff out there.
Our message is more than just a critique. We’re not attacking people’s lifestyles or society or the music industry. Part of what we are saying is that you need to find your way to enjoy the life you have. Maybe the price you have to pay for your fun and your individuality is your job. That’s how you can afford to do the things you want to do. We have to handle our own management, marketing, booking, legal stuff and production to be able to get on stage at places like Santos and the Knitting Factory because that’s where we can share our music.
NCI: What is it about performing that is so attractive to you?
KO: When you are on stage you are at your most vulnerable. When you go up there and pretend to be someone you are not, the audience sees right through that and they will reject you. You have to be willing and able to put yourself out there and expose yourself to really connect with the crowd. It doesn’t matter if you have to open raw emotional wounds in your lyrics, freestyle a few bars because you forgot your lines or work around the fact that the band has spontaneously decided to go into an extended solo jam session. When you’re on stage the rigid predictable life is gone. You are more alive because things are uncertain and unpredictable.
NCI: Is that why you use a live band instead of a CD in your act?
KO: That is a big reason for it, but that isn’t the only reason. Some of our major hip hop influences like Digable Planets did their shows with live bands and that was a big inspiration to us. There are some sounds that have a special quality when you hear them live and we want those sounds in our show. But the biggest reason is the spontaneous energy that comes from live music. The crowd gets hyped up from a guitar or drum solo in ways that never happen if you just pop in a CD. We call our record company See Music Live because that is one of the best ways to escape the monotony of what we have to go through every day.